Colin (West Village, Pride), digital photograph, 16.5 x 11 in, 2022
U.S. Life Evaluation, lacquer on wood in 3 parts, 60 x 5 in deep, installation view John Connelly Presents, 2009
Get Well Soon (Lindsay Lohan), silkscreen on canvas, 30 x 24 in, 2007
Kevin (Greenpoint), 35mm analog photograph, 8 x 12 in, 2023
Hostage (No. 9), silkscreens on linen, 51 x 42 inches, 2008
Leather man (crossing 10th Ave), digital photograph, 11 x 16.5 in, 2021
HELL TO PAY, digital print-on-demand posters, 24 x 18 in each,
Rawson Projects, 2012
Anthony (upstate, after 2020 election), digital photograph, 11 x 16.5 in, 2020
Tight Scrutiny (Jake Gyllenhaal), silkscreen on canvas, 30 x 24 in, 2007
Red Door, Shadow (no. 2), digital photograph, 16.5 x 11 in, 2020
Next, thinking about the issue of global warming, sometimes called the
“greenhouse effect,” how well do you feel you understand this issue—would
you say well, fairly well, not very well, or not at all? (Sitting Bull), Color-aid
on found National Geographic magazine page, 12.75 x 9.5 in, 2009
RAVAGED, silkscreens on canvas, 90 x 96 in, 2007
Consumer Mood (Spider Web) Positive, Negative, Mixed, Color-aid
on found National Geographic magazine page, 12.75 x 9.5 in, 2009
Pink Lemonade (Astoria Park Carnival), digital photograph, 11 x 16.5 in, 2021
Seth (eyes closed), digital photograph, 16.5 x 11 in, 2020
Light Under Subway, digital photograph, 11 x 16.5 in, 2020
Lethal Sadness (Marilyn Manson), silkscreen on canvas, 30 x 24 in, 2007
Nighttime (Astoria), digital photograph, 16.5 x 11 in, 2021
No Escaping Martha, 2005
Personal Finance, Worried/Not Worried (WTC), Color-aid on
found National Geographic magazine page, 12.75 x 9.5 in, 2009
MISERY, silkscreens on canvas, 90 x 96 in, 2007
Charlotte (Kansas City), digital photograph, 16.5 x 11 in, 2020
Too Much Stress (Jenna Jameson), silkscreen on canvas, 30 x 24 in, 2007
USA TODAY (detail), Xeroxes wheat-pasted inside a custom rotunda 108 x 96 in diameter, installation view John Connelly Presents, 2006
In your opinion, is the death penalty imposed: too often, about the
right amount, or not often enough?, lacquer on wood in 4 parts,
60 x 5 in deep, installation view Ballroom Marfa, 2012
Harlem River, 35mm analog photograph, 12 x 8 in, 2021
Saks Fifth Avenue, digital photograph, 16.5 x 11 in, 2020
Man in the Mirror, digital inkjet on canvas, black mirror and custom frame, diptych each 25 x 22.5 in, 2007
Skeleton, 35mm analog photograph, 12 x 8 in, 2021
Mom’s Pepsi and pills, digital photograph, 11 x 16.5 in, 2020