......................................................................................................................................................................................................................
  Andy , digital photograph, 2019

Andy, digital photograph, 2019

  Untitled , collage, 7.5 x 5.5 in, 2018

Untitled, collage, 7.5 x 5.5 in, 2018

  Astoria Blues , digital photograph, 2019

Astoria Blues, digital photograph, 2019

  How would you rate the overall quality of the environment in this country today?  (Landscape with Figure),  collaged Color-aid on found  National Geographic  magazine page, 12.75 x 9.5 in, 2009

How would you rate the overall quality of the environment in this country today? (Landscape with Figure),
collaged Color-aid on found National Geographic magazine page, 12.75 x 9.5 in, 2009

  Untitled , collage, 7.5 x 5.5 in, 2019

Untitled, collage, 7.5 x 5.5 in, 2019

  Astoria Boys , digital photograph, 2019

Astoria Boys, digital photograph, 2019

  State of the Nation—Satisfied, Dissatisfied  (Henry David Thoreau), collaged Color-aid on found  National  Geographic  magazine page, 12.75 x 9.5 in, 2009

State of the Nation—Satisfied, Dissatisfied (Henry David Thoreau), collaged Color-aid on found National
Geographic
magazine page, 12.75 x 9.5 in, 2009

  Soho Gent , digital photograph, 2019

Soho Gent, digital photograph, 2019

  Untitled , collage, 7.5 x 5.5 in, 2018

Untitled, collage, 7.5 x 5.5 in, 2018

  How worried are you that you or someone in your family will become a victim of terrorism—very worried,  somewhat worried, not too worried, or not worried at all?  (Owl), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009

How worried are you that you or someone in your family will become a victim of terrorism—very worried,
somewhat worried, not too worried, or not worried at all?
(Owl), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

  Screen Grab , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999

Screen Grab, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999

  Broadway Hustle , digital photograph, 2019

Broadway Hustle, digital photograph, 2019

  Untitled  (SOLD), collage, 7.5 x 5.5 in, 2018

Untitled (SOLD), collage, 7.5 x 5.5 in, 2018

  Drag , digital photograph, 2019

Drag, digital photograph, 2019

  Untitled , collage, 11 x 8.375 in, 2019

Untitled, collage, 11 x 8.375 in, 2019

  Fast Delivery , collage, 7.5 x 5.5 in, 2018

Fast Delivery, collage, 7.5 x 5.5 in, 2018

  Dog Pissing , digital photograph, 2019

Dog Pissing, digital photograph, 2019

  Untitled , collage, 7.5 x 5.5 in, 2018

Untitled, collage, 7.5 x 5.5 in, 2018

  Emo & Houston , digital photograph, 2019

Emo & Houston, digital photograph, 2019

  YOU WANT IT , collage, 7.5 x 5.5 in, 2018

YOU WANT IT, collage, 7.5 x 5.5 in, 2018

  Kyle , digital photograph, 2019

Kyle, digital photograph, 2019

  HELL TO PAY , digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012

HELL TO PAY, digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012

  Chinatown   Grill Lovers,  digital photograph, 2019

Chinatown Grill Lovers, digital photograph, 2019

  Untitled , collage, 11 x 8.5 in, 2016

Untitled, collage, 11 x 8.5 in, 2016

  Carlos & John , digital photograph, 2019

Carlos & John, digital photograph, 2019

  Of Bondage & Budgies  (No. 4), digital collage, 24 x 18 in, 2015

Of Bondage & Budgies (No. 4), digital collage, 24 x 18 in, 2015

  Too Much Stress   (Jenna Jameson), silkscreen on canvas, 30 x 24 in, 2007

Too Much Stress (Jenna Jameson), silkscreen on canvas, 30 x 24 in, 2007

  Untitled , collage, 10.75 x 8.125 in, 2019

Untitled, collage, 10.75 x 8.125 in, 2019

  Who could blame you? , collage, 11 x 8.5 in, 2016

Who could blame you?, collage, 11 x 8.5 in, 2016

  Dietmar , digital photograph, 2019

Dietmar, digital photograph, 2019

  Do you think spending on the U.S. Space Program should be increased, kept at the present level, reduced,  or ended altogether?  (Native American Indian with Rifle), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009

Do you think spending on the U.S. Space Program should be increased, kept at the present level, reduced,
or ended altogether?
(Native American Indian with Rifle), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

  Tabboo! 1000 and 1 Armenien Nights , digital photograph, 2019

Tabboo! 1000 and 1 Armenien Nights, digital photograph, 2019

  Hair Today Gone Tomorrow , collage, 6.75 x 4.25 in, 2013

Hair Today Gone Tomorrow, collage, 6.75 x 4.25 in, 2013

  Linda , digital photograph, 2019

Linda, digital photograph, 2019

  Untitled , collage, 11 x 8.375 in, 2019

Untitled, collage, 11 x 8.375 in, 2019

 My Simpsons’ Avatar, digital print on wood, 6 ft, 2007

My Simpsons’ Avatar, digital print on wood, 6 ft, 2007

  U.S. Life Evaluation  (Hurdle), collaged Color-aid on found  National Geographic  magazine page,  12.75 x 9.5 in, 2009

U.S. Life Evaluation (Hurdle), collaged Color-aid on found National Geographic magazine page,
12.75 x 9.5 in, 2009

  Gate 1 , digital photograph, 2019

Gate 1, digital photograph, 2019

  Untitled , collage, 10.875 x 10 in, 2019

Untitled, collage, 10.875 x 10 in, 2019

  K48 magazine , issue No. 7  Starship Counterforce , 2007

K48 magazine, issue No. 7 Starship Counterforce, 2007

  Quantum Flux , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998

Quantum Flux, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998

  Blue Jean Baby , digital photograph, 2019

Blue Jean Baby, digital photograph, 2019

  MISERY , silkscreen on canvas, 90 x 96 in, 2007

MISERY, silkscreen on canvas, 90 x 96 in, 2007

  U.S. Perceptions of the Morality of Homosexual Relations: Morally Acceptable, Morally Wrong  (Tiger), collaged  Color-aid on found  National Geographic  magazine page, 12.75 x 9.5 in, 2009

U.S. Perceptions of the Morality of Homosexual Relations: Morally Acceptable, Morally Wrong (Tiger), collaged
Color-aid on found National Geographic magazine page, 12.75 x 9.5 in, 2009

 Untitled, mail art collage with spray paint, 6 x 4 in, 2015

Untitled, mail art collage with spray paint, 6 x 4 in, 2015

  Jack , digital photograph, 2019

Jack, digital photograph, 2019

  USA TODAY  (detail), a Hug & Magnan collaboration, Xeroxes wheat-pasted inside a custom rotunda 108 x 96 in diameter, installation view John Connelly Presents, 2006

USA TODAY (detail), a Hug & Magnan collaboration, Xeroxes wheat-pasted inside a custom rotunda 108 x 96 in diameter, installation view John Connelly Presents, 2006

  Untitled , collage, 7.5 x 5.5 in, 2018

Untitled, collage, 7.5 x 5.5 in, 2018

  In your opinion, is the death penalty imposed: too often, about the right amount, or not often enough? ,  lacquer on wood in 4 parts, 60 x 5 in deep, installation view Ballroom Marfa, 2012

In your opinion, is the death penalty imposed: too often, about the right amount, or not often enough?,
lacquer on wood in 4 parts, 60 x 5 in deep, installation view Ballroom Marfa, 2012

  Get Well Soon  (Lindsay Lohan), silkscreen on canvas, 30 x 24 in, 2007

Get Well Soon (Lindsay Lohan), silkscreen on canvas, 30 x 24 in, 2007

  Of Bondage & Budgies  (No. 1), digital collage, 24 x 18 in, 2015

Of Bondage & Budgies (No. 1), digital collage, 24 x 18 in, 2015

  Kamp K48 ,  K48 Magazine  collaboration, installation view John Connelly Presents, 2006

Kamp K48, K48 Magazine collaboration, installation view John Connelly Presents, 2006

  Next, thinking about the issue of global warming, sometimes called the “greenhouse effect,” how well  do you feel you understand this issue—would you say well, fairly well, not very well, or not at all?  (Sitting Bull),  collaged Color-aid on found  National Geographic  magazine page, 12.75 x 9.5 in, 2009

Next, thinking about the issue of global warming, sometimes called the “greenhouse effect,” how well
do you feel you understand this issue—would you say well, fairly well, not very well, or not at all?
(Sitting Bull),
collaged Color-aid on found National Geographic magazine page, 12.75 x 9.5 in, 2009

  Jack’s Fist , digital photograph, 2019

Jack’s Fist, digital photograph, 2019

  K48 magazine , issue No. 6  In Lockdown We Bite , 2006

K48 magazine, issue No. 6 In Lockdown We Bite, 2006

  JFK , digital inkjet on canvas, black mirror and custom frame, diptych each 15.25 x 11.25 in, 2007

JFK, digital inkjet on canvas, black mirror and custom frame, diptych each 15.25 x 11.25 in, 2007

  Hostage  (No. 9), silkscreen on linen, 51 x 42 in, 2008

Hostage (No. 9), silkscreen on linen, 51 x 42 in, 2008

  Tight Scrutiny  (Jake Gyllenhaal), silkscreen on canvas, 30 x 24 in, 2007

Tight Scrutiny (Jake Gyllenhaal), silkscreen on canvas, 30 x 24 in, 2007

  Personal Finance, Worried/Not Worried  (WTC), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009

Personal Finance, Worried/Not Worried (WTC), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

  No Escaping Martha , 2005

No Escaping Martha, 2005

  Untitled , collage, 11 x 8.5 in, 2016

Untitled, collage, 11 x 8.5 in, 2016

  Lethal Sadness  (Marilyn Manson), silkscreen on canvas, 30 x 24 in, 2007

Lethal Sadness (Marilyn Manson), silkscreen on canvas, 30 x 24 in, 2007

  Smoke , digital photograph, 2019

Smoke, digital photograph, 2019

  SMOKIN’  and  Chicken Charity  (Jessica Alba), silkscreen on canvas, 90 x 96 in, 30 x 24 in, installation view John Connelly Presents, 2007

SMOKIN’ and Chicken Charity (Jessica Alba), silkscreen on canvas, 90 x 96 in, 30 x 24 in, installation view John Connelly Presents, 2007

  Untitled , collage, 10.875 x 8.375 in, 2019

Untitled, collage, 10.875 x 8.375 in, 2019

  Matt , digital photograph, 2019

Matt, digital photograph, 2019

  HELL TO PAY , 48 digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012

HELL TO PAY, 48 digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012

  Glitch , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998

Glitch, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998

  How much do you personally worry about extinction of plant and animal species?  (Blue Whale),  collaged Color-aid on found  National Geographic  magazine page , 12.75 x 9.5 in, 2009

How much do you personally worry about extinction of plant and animal species? (Blue Whale),
collaged Color-aid on found National Geographic magazine page , 12.75 x 9.5 in, 2009

  Of Bondage & Budgies  (No. 3), digital collage, 24 x 18 in, 2015

Of Bondage & Budgies (No. 3), digital collage, 24 x 18 in, 2015

  U.S. Life Evaluation , lacquer on wood in 3 parts, 60 x 5 in deep, installation view John Connelly Presents, 2009

U.S. Life Evaluation, lacquer on wood in 3 parts, 60 x 5 in deep, installation view John Connelly Presents, 2009

  Space Cowboy , mail art collage with spray paint, 6 x 4 in, 2015

Space Cowboy, mail art collage with spray paint, 6 x 4 in, 2015

  Man in the Mirror , digital inkjet on canvas, black mirror and custom frame, diptych each 25 x 22.5 in, 2007

Man in the Mirror, digital inkjet on canvas, black mirror and custom frame, diptych each 25 x 22.5 in, 2007

  The Last Slice , a K48 Kontinuum collaboration, digital floor sticker with pizza box, 15 x 15 ft, installation view Tate Modern  No Soul For Sale , 2010

The Last Slice, a K48 Kontinuum collaboration, digital floor sticker with pizza box, 15 x 15 ft, installation view Tate Modern No Soul For Sale, 2010

  Untitled (Windows) , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1997

Untitled (Windows), Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1997

  Gramercy Park Stroller , digital photograph, 2019

Gramercy Park Stroller, digital photograph, 2019

  Consumed , ink on found image, 12 x 9 in, 2002

Consumed, ink on found image, 12 x 9 in, 2002

  The Falcon , collage, 2014

The Falcon, collage, 2014

  9 Hours Into the Future , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999

9 Hours Into the Future, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999

  U.S. Job Market: Hiring, Not Changing, Letting Go  (Orbit), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009

U.S. Job Market: Hiring, Not Changing, Letting Go (Orbit), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

Andy, digital photograph, 2019

Untitled, collage, 7.5 x 5.5 in, 2018

Astoria Blues, digital photograph, 2019

How would you rate the overall quality of the environment in this country today? (Landscape with Figure),
collaged Color-aid on found National Geographic magazine page, 12.75 x 9.5 in, 2009

Untitled, collage, 7.5 x 5.5 in, 2019

Astoria Boys, digital photograph, 2019

State of the Nation—Satisfied, Dissatisfied (Henry David Thoreau), collaged Color-aid on found National
Geographic
magazine page, 12.75 x 9.5 in, 2009

Soho Gent, digital photograph, 2019

Untitled, collage, 7.5 x 5.5 in, 2018

How worried are you that you or someone in your family will become a victim of terrorism—very worried,
somewhat worried, not too worried, or not worried at all?
(Owl), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

Screen Grab, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999

Broadway Hustle, digital photograph, 2019

Untitled (SOLD), collage, 7.5 x 5.5 in, 2018

Drag, digital photograph, 2019

Untitled, collage, 11 x 8.375 in, 2019

Fast Delivery, collage, 7.5 x 5.5 in, 2018

Dog Pissing, digital photograph, 2019

Untitled, collage, 7.5 x 5.5 in, 2018

Emo & Houston, digital photograph, 2019

YOU WANT IT, collage, 7.5 x 5.5 in, 2018

Kyle, digital photograph, 2019

HELL TO PAY, digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012

Chinatown Grill Lovers, digital photograph, 2019

Untitled, collage, 11 x 8.5 in, 2016

Carlos & John, digital photograph, 2019

Of Bondage & Budgies (No. 4), digital collage, 24 x 18 in, 2015

Too Much Stress (Jenna Jameson), silkscreen on canvas, 30 x 24 in, 2007

Untitled, collage, 10.75 x 8.125 in, 2019

Who could blame you?, collage, 11 x 8.5 in, 2016

Dietmar, digital photograph, 2019

Do you think spending on the U.S. Space Program should be increased, kept at the present level, reduced,
or ended altogether?
(Native American Indian with Rifle), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

Tabboo! 1000 and 1 Armenien Nights, digital photograph, 2019

Hair Today Gone Tomorrow, collage, 6.75 x 4.25 in, 2013

Linda, digital photograph, 2019

Untitled, collage, 11 x 8.375 in, 2019

My Simpsons’ Avatar, digital print on wood, 6 ft, 2007

U.S. Life Evaluation (Hurdle), collaged Color-aid on found National Geographic magazine page,
12.75 x 9.5 in, 2009

Gate 1, digital photograph, 2019

Untitled, collage, 10.875 x 10 in, 2019

K48 magazine, issue No. 7 Starship Counterforce, 2007

Quantum Flux, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998

Blue Jean Baby, digital photograph, 2019

MISERY, silkscreen on canvas, 90 x 96 in, 2007

U.S. Perceptions of the Morality of Homosexual Relations: Morally Acceptable, Morally Wrong (Tiger), collaged
Color-aid on found National Geographic magazine page, 12.75 x 9.5 in, 2009

Untitled, mail art collage with spray paint, 6 x 4 in, 2015

Jack, digital photograph, 2019

USA TODAY (detail), a Hug & Magnan collaboration, Xeroxes wheat-pasted inside a custom rotunda 108 x 96 in diameter, installation view John Connelly Presents, 2006

Untitled, collage, 7.5 x 5.5 in, 2018

In your opinion, is the death penalty imposed: too often, about the right amount, or not often enough?,
lacquer on wood in 4 parts, 60 x 5 in deep, installation view Ballroom Marfa, 2012

Get Well Soon (Lindsay Lohan), silkscreen on canvas, 30 x 24 in, 2007

Of Bondage & Budgies (No. 1), digital collage, 24 x 18 in, 2015

Kamp K48, K48 Magazine collaboration, installation view John Connelly Presents, 2006

Next, thinking about the issue of global warming, sometimes called the “greenhouse effect,” how well
do you feel you understand this issue—would you say well, fairly well, not very well, or not at all?
(Sitting Bull),
collaged Color-aid on found National Geographic magazine page, 12.75 x 9.5 in, 2009

Jack’s Fist, digital photograph, 2019

K48 magazine, issue No. 6 In Lockdown We Bite, 2006

JFK, digital inkjet on canvas, black mirror and custom frame, diptych each 15.25 x 11.25 in, 2007

Hostage (No. 9), silkscreen on linen, 51 x 42 in, 2008

Tight Scrutiny (Jake Gyllenhaal), silkscreen on canvas, 30 x 24 in, 2007

Personal Finance, Worried/Not Worried (WTC), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

No Escaping Martha, 2005

Untitled, collage, 11 x 8.5 in, 2016

Lethal Sadness (Marilyn Manson), silkscreen on canvas, 30 x 24 in, 2007

Smoke, digital photograph, 2019

SMOKIN’ and Chicken Charity (Jessica Alba), silkscreen on canvas, 90 x 96 in, 30 x 24 in, installation view John Connelly Presents, 2007

Untitled, collage, 10.875 x 8.375 in, 2019

Matt, digital photograph, 2019

HELL TO PAY, 48 digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012

Glitch, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998

How much do you personally worry about extinction of plant and animal species? (Blue Whale),
collaged Color-aid on found National Geographic magazine page , 12.75 x 9.5 in, 2009

Of Bondage & Budgies (No. 3), digital collage, 24 x 18 in, 2015

U.S. Life Evaluation, lacquer on wood in 3 parts, 60 x 5 in deep, installation view John Connelly Presents, 2009

Space Cowboy, mail art collage with spray paint, 6 x 4 in, 2015

Man in the Mirror, digital inkjet on canvas, black mirror and custom frame, diptych each 25 x 22.5 in, 2007

The Last Slice, a K48 Kontinuum collaboration, digital floor sticker with pizza box, 15 x 15 ft, installation view Tate Modern No Soul For Sale, 2010

Untitled (Windows), Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1997

Gramercy Park Stroller, digital photograph, 2019

Consumed, ink on found image, 12 x 9 in, 2002

The Falcon, collage, 2014

9 Hours Into the Future, Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999

U.S. Job Market: Hiring, Not Changing, Letting Go (Orbit), collaged Color-aid on found National Geographic
magazine page, 12.75 x 9.5 in, 2009

  Andy , digital photograph, 2019
  Untitled , collage, 7.5 x 5.5 in, 2018
  Astoria Blues , digital photograph, 2019
  How would you rate the overall quality of the environment in this country today?  (Landscape with Figure),  collaged Color-aid on found  National Geographic  magazine page, 12.75 x 9.5 in, 2009
  Untitled , collage, 7.5 x 5.5 in, 2019
  Astoria Boys , digital photograph, 2019
  State of the Nation—Satisfied, Dissatisfied  (Henry David Thoreau), collaged Color-aid on found  National  Geographic  magazine page, 12.75 x 9.5 in, 2009
  Soho Gent , digital photograph, 2019
  Untitled , collage, 7.5 x 5.5 in, 2018
  How worried are you that you or someone in your family will become a victim of terrorism—very worried,  somewhat worried, not too worried, or not worried at all?  (Owl), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009
  Screen Grab , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999
  Broadway Hustle , digital photograph, 2019
  Untitled  (SOLD), collage, 7.5 x 5.5 in, 2018
  Drag , digital photograph, 2019
  Untitled , collage, 11 x 8.375 in, 2019
  Fast Delivery , collage, 7.5 x 5.5 in, 2018
  Dog Pissing , digital photograph, 2019
  Untitled , collage, 7.5 x 5.5 in, 2018
  Emo & Houston , digital photograph, 2019
  YOU WANT IT , collage, 7.5 x 5.5 in, 2018
  Kyle , digital photograph, 2019
  HELL TO PAY , digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012
  Chinatown   Grill Lovers,  digital photograph, 2019
  Untitled , collage, 11 x 8.5 in, 2016
  Carlos & John , digital photograph, 2019
  Of Bondage & Budgies  (No. 4), digital collage, 24 x 18 in, 2015
  Too Much Stress   (Jenna Jameson), silkscreen on canvas, 30 x 24 in, 2007
  Untitled , collage, 10.75 x 8.125 in, 2019
  Who could blame you? , collage, 11 x 8.5 in, 2016
  Dietmar , digital photograph, 2019
  Do you think spending on the U.S. Space Program should be increased, kept at the present level, reduced,  or ended altogether?  (Native American Indian with Rifle), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009
  Tabboo! 1000 and 1 Armenien Nights , digital photograph, 2019
  Hair Today Gone Tomorrow , collage, 6.75 x 4.25 in, 2013
  Linda , digital photograph, 2019
  Untitled , collage, 11 x 8.375 in, 2019
 My Simpsons’ Avatar, digital print on wood, 6 ft, 2007
  U.S. Life Evaluation  (Hurdle), collaged Color-aid on found  National Geographic  magazine page,  12.75 x 9.5 in, 2009
  Gate 1 , digital photograph, 2019
  Untitled , collage, 10.875 x 10 in, 2019
  K48 magazine , issue No. 7  Starship Counterforce , 2007
  Quantum Flux , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998
  Blue Jean Baby , digital photograph, 2019
  MISERY , silkscreen on canvas, 90 x 96 in, 2007
  U.S. Perceptions of the Morality of Homosexual Relations: Morally Acceptable, Morally Wrong  (Tiger), collaged  Color-aid on found  National Geographic  magazine page, 12.75 x 9.5 in, 2009
 Untitled, mail art collage with spray paint, 6 x 4 in, 2015
  Jack , digital photograph, 2019
  USA TODAY  (detail), a Hug & Magnan collaboration, Xeroxes wheat-pasted inside a custom rotunda 108 x 96 in diameter, installation view John Connelly Presents, 2006
  Untitled , collage, 7.5 x 5.5 in, 2018
  In your opinion, is the death penalty imposed: too often, about the right amount, or not often enough? ,  lacquer on wood in 4 parts, 60 x 5 in deep, installation view Ballroom Marfa, 2012
  Get Well Soon  (Lindsay Lohan), silkscreen on canvas, 30 x 24 in, 2007
  Of Bondage & Budgies  (No. 1), digital collage, 24 x 18 in, 2015
  Kamp K48 ,  K48 Magazine  collaboration, installation view John Connelly Presents, 2006
  Next, thinking about the issue of global warming, sometimes called the “greenhouse effect,” how well  do you feel you understand this issue—would you say well, fairly well, not very well, or not at all?  (Sitting Bull),  collaged Color-aid on found  National Geographic  magazine page, 12.75 x 9.5 in, 2009
  Jack’s Fist , digital photograph, 2019
  K48 magazine , issue No. 6  In Lockdown We Bite , 2006
  JFK , digital inkjet on canvas, black mirror and custom frame, diptych each 15.25 x 11.25 in, 2007
  Hostage  (No. 9), silkscreen on linen, 51 x 42 in, 2008
  Tight Scrutiny  (Jake Gyllenhaal), silkscreen on canvas, 30 x 24 in, 2007
  Personal Finance, Worried/Not Worried  (WTC), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009
  No Escaping Martha , 2005
  Untitled , collage, 11 x 8.5 in, 2016
  Lethal Sadness  (Marilyn Manson), silkscreen on canvas, 30 x 24 in, 2007
  Smoke , digital photograph, 2019
  SMOKIN’  and  Chicken Charity  (Jessica Alba), silkscreen on canvas, 90 x 96 in, 30 x 24 in, installation view John Connelly Presents, 2007
  Untitled , collage, 10.875 x 8.375 in, 2019
  Matt , digital photograph, 2019
  HELL TO PAY , 48 digital print-on-demand posters, each 24 x 18 in each, installation view Rawson Projects, 2012
  Glitch , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1998
  How much do you personally worry about extinction of plant and animal species?  (Blue Whale),  collaged Color-aid on found  National Geographic  magazine page , 12.75 x 9.5 in, 2009
  Of Bondage & Budgies  (No. 3), digital collage, 24 x 18 in, 2015
  U.S. Life Evaluation , lacquer on wood in 3 parts, 60 x 5 in deep, installation view John Connelly Presents, 2009
  Space Cowboy , mail art collage with spray paint, 6 x 4 in, 2015
  Man in the Mirror , digital inkjet on canvas, black mirror and custom frame, diptych each 25 x 22.5 in, 2007
  The Last Slice , a K48 Kontinuum collaboration, digital floor sticker with pizza box, 15 x 15 ft, installation view Tate Modern  No Soul For Sale , 2010
  Untitled (Windows) , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1997
  Gramercy Park Stroller , digital photograph, 2019
  Consumed , ink on found image, 12 x 9 in, 2002
  The Falcon , collage, 2014
  9 Hours Into the Future , Pantone Black T-13 ink on LetraMax 2000 paper, 14 x 17 in, 1999
  U.S. Job Market: Hiring, Not Changing, Letting Go  (Orbit), collaged Color-aid on found  National Geographic   magazine page, 12.75 x 9.5 in, 2009